Showing posts with label producing. Show all posts
Showing posts with label producing. Show all posts

Monday, April 6, 2009

Finding the right studio

Finding the right studio is actually a bigger than you think it is. You have a lot to think about like...
  • Price
  • Quality
  • Software used
  • Recording equipment used
  • Will they use analog or digital?
  • Will they mix the tracks?
  • Is mastering included?

There's a lot of things you don't think about that you should too. So where to start off? How about price? What can you afford and how long do you think it will take? A professional band can probably record 2-3 songs in a day. Most bands will take 1 day to record a single song. So if you wan't a 3-song demo plan to stay in the studio for 3 full days, which is about 24 hours.

Each studio has a different pricing plan too. Some will charge by the hour. Cheaper ones charge about $15 an hour which equals to $360 in this example. High quality studios will charge about $50-200 an hour. Typically pricing is based off two factors: How expensive is the equipment and how booked are they? The more expensive the equipment, the more the studio time will cost because most engineers still need to pay back their credit cards. If an engineer is well known, they are most likely booked for at least month in advance and will charge more. Think of it as simple "supply and demand" principles. They already have planned business, so why should they be any cheaper?

Obviously the quality of equipment is something you want to factor in when you choose a studio. The problem with this is that even with the most high tech equipment the sound can still be horrible. How is this possible? Sometimes the sound engineer can suck. I've had better recording sound than some high-tech studios using my entry on how to record on the cheap side. Sad, isn't it?

Some experienced bands have absolutely must use ProTools or they won't record. If you're one of these bands, then be sure to check for that. Honestly, I can't tell a sound difference between which software is used. I can tell the difference on ease-of-use or features each software has.

Be sure to ask the engineer at the studio if they will mix and master the songs or not. Some studios have been known to record only and not mix the tracks. Be sure you get this cleared up before you enter the studio or you will waste quite a lot of money (or not, depending if pricing is specifically based on recording only). Mastering is not a big deal but it's typically better to have the songs mastered at another studio or at least by someone else. Most studios will recommend getting the CD mastered by someone else.

Some final thoughts... Browse around and ask for samples. Most studios have a myspace or a website where you can listen to music they've recorded. If what they have sounds good, most likely you will too. Also, try to find a studio that has experience with your genre of music. It may not sound like a big deal but it really is. Each genre of music highlights different instruments. Remember, just because they're expensive or have the best equipment doesn't mean they have the best sound. Be smart and shop around.

Wednesday, March 18, 2009

Copyrighting your music

It's typically a good idea to copyright your music. Why? Well if someone decides to steal your music and make money off it, you can ask them to either pay all compensation or you will file a lawsuit. Of course, you don't want someone using your music without giving you credit either. So here's two methods:

  1. Assuming you live in the US, you can file copyright either online or by CD for $35 with the US government at http://www.copyright.gov/eco/index.html
  2. The free method is recording a CD and sending it to yourself with postal mail. It doesn't need to sound good. Burn it to a CD and head over to the post office and send it to yourself or one of your bandmates. Do not open it! If you do, consider the copyright void.

View the post on recording a cheap CD to learn how to record.